Richard Shephard (b.1949) is a composer, former educator, and Director of Development and Chamberlain of York Minster. He is acclaimed as one of the most significant composers of church music today.[1][2]
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Shephard was a chorister at Gloucester Cathedral, where the organist was then the composer Herbert Sumsion before taking a degree at Corpus Christi College, Cambridge. While at Cambridge, Shephard studied under composer David Willcocks, Hugh MacDonald, the great expert on Berlioz, and Alan Ridout. He started his musical career as a lay clerk in Salisbury Cathedral Choir, and at this time was Conductor of the Salisbury Grand Opera Group, the Farrant Singers, Guest Conductor of the Salisbury Orchestral Society and Musical Director of various productions at the Salisbury Playhouse. It was at this time when he was greatly influenced by Richard Seal and Lionel Dakers, the former director of the Royal School of Church Music. An article published in 1987 in the Musical Times by Dakers,The RSCM: Past, Present...and Future, states that "Our policy is to provide music of quality and interest for every contingency which can then be absorbed into a choir's working repertory. Aston, Oxley, How, Shephard, and Sumsion feature in our catalogue because they measure up to these needs, produce what we want and what we can consequently sell in large numbers." [3] Years later, in 2000, Shephard and Dakers would both contribute to The IAO Millennium Book, Thirteen essays About the Organ, a publication which comprises contemporary writings related to the organ and written by distinguished composers of the day. Shephard's article was entitled Composing for the Church today, in which he discussed current demands on church music composers in the 20th century. His first opera, The Turncoat was composed for the Salisbury International Arts Festival.[4]
As a composer, he has written operas, operettas, musicals, orchestral works, music for television, and chamber music but is perhaps best known for his choral works[5][6] which are sung extensively around the world today, especially in churches and cathedrals in England and America. His compositions are frequently broadcast in the United Kingdom.[1][7]
Shephard has received commissions from numerous associations including the Three Choirs Festival, the Southern Cathedrals Festival, Woodard Schools, the Goldsmiths' Company and the Ryedale Festival. He is a Visiting Fellow at York University's music department and a Visiting Professor in the Music department of the University of the South, Sewanee; he has received honorary doctorates from both. For his "outstanding contribution to church music" [8] he was awarded a Lambeth degree in music, and, in 2009, was granted Freedom of the City of York. Recently, he has had a place on the "Archbishop's Commission on Church Music" and on the "Church Music Commission on Cathedrals".[1][7] Shephard is also a Fellow of the Royal School of Church Music, the highest honour which the RSCM offer.[9]
In November 2009, Shephard was commissioned to write a piece for the commemoration of Henry Purcell's three hundred and fiftieth birthday by The National Centre of Early Music, Ode on the 350th Birthday of Mr Henry Purcell. The piece was performed in the Royal Albert Hall by five hundred school children who make up the Scunthorpe Co-operative Junior Choir which won the BBC Radio 3 Choir of the Year in 2008. Howard Goodall co-hosted the event.[10]
In 1999 Shephard received a commission to write for the York Mystery Plays Millennium[11] and in 2008 he coauthored York Minster: A Living Legacy with the Dean of York, Keith Jones, and Louise Ann Hampson.[12]
As well as Shephard's prolific musical career, he has also had a career in education. For a number of years Shephard worked as a member of staff at Salisbury Cathedral School.[13] In 1985, he moved to York, becoming headmaster of York Minster School and Chamberlain of York Minster.[14] He remained headmaster of the school until 2004 when he stepped down,[15] and is now Director of Development at York Minster, coordinating fundraising.[16] He is still Chamberlain, in this role he serves as cantor at evensong and mattins, leading the responses.[7]
Eucharistic settings:
Magnificat & Nunc Dimittis, for:
Anthems